English and Comparative Literature
219 Instructors / 523 Courses
Browse by professor
- Aanderson, Andrea
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Abu-Manneh, Bashir
- Adams, Rachel
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Adams, James
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Auran, Elizabeth
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Basker, James
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Baswell, Christopher
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Beller, Jonathan
- Benjamin, Meredith
- Benjamin, Meredith
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Biers, Katherine
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Blount, Marcellus
- Bowstead, Diana
- Brietzke, Zander
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Brown, Constance
- Brown, John
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Charles, Collomia
- Charon, Rita
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Claybaugh, Amanda
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Cobrin, Pamela
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Cohen, Monica
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Cole, Sarah
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Condillac, Vrinda
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Connor, Peter
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Crain, Caleb
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Crandall, Emma
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Crane, Susan
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Crapotta, James
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Crawford, Julie
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Cregan, Mary
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Cruz, Denise
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Cynn, Christine
- Dabashi, Hamid
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Dailey, Patricia
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Dames, Nicholas
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Damrosch, David
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Davidson, Jenny
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DeSantis, Alicia
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Delbanco, Andrew
- Denison, Patricia
- Derno, Maiken
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Di Gangi, Mario
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Douglas, Ann
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Eden, Kathy
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Edwards, Brent
- Ehsani, Erin
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Eisendrath, Rachel
- Ellsberg, Margaret
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Farrell, Nathaniel
- Fenn, Jess
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Ferguson, Robert
- Ferrante, Joan
- Finck, Liana
- Fleischer, Georgette
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Forster, Jeremy
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Frankfurt, John
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Fredman, Shelly
- Friedman, Charlotte
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Gabel, Aubrey
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Gamalinda, Eric
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Gasparov, Boris
- Genter, Sandra
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Gill, Jonathan
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Giordani, Marianne
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Golston, Michael
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Gordis, Lisa
- Gordon, Mary
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Gourgouris, Stathis
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Gray, Erik
- Greenwood, Elizabeth
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Griffin, Farah
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Guibbory, Achsah
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Gurman, Hannah
- Hamburger, Aaron
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Hamilton, Ross
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Hamilton, Saskia
- Hanning, Robert
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Hart, Matthew
- Hartman, Saidiya
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Hawn, Michael Aaron
- Hegele, Arden
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Higginbotham, Derrick
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Hirsch, Marianne
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Hollibaugh, Lisa
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Horejsi, Nicole
- Howard, Jean
- Hunt, Irvin
- Hurley, Mary
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Huyssen, Andreas
- Im, Jeannie
- Jaanus, Maire
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Jin, Wen
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Johnson, Eleanor
- Johnson, Warren
- Johnston, Walter
- Jones, Khary
- Jones, Rory
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Karbiener, Karen
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Kasara, Kimuli
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Kassanoff, Jennie
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Kastan, David
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Kenny, Gale
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Kitcher, Philip
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Knapp, Liza
- Ko, Yurina
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Kroeber, Karl
- Laizik, Suzanne
- Lespinasse, Patricia
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Levin, Kate
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Lexton, Ruth
- Liu, Lydia
- Locke, Richard
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Lynn, Andrew
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MacAdam, Alfred
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Main, Matthew
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Marcus, Sharon
- Marcus, Steven
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Martinsen, Deborah
- Massad, Joseph
- Massamilla, Stephen
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Massimilla, Stephen
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Matar, Hisham
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McKenna, David
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McWhorter, John
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Mehta, Linn
- Meisel, Martin
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Mendelsohn, Susan
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Mendelson, Edward
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Miller, Monica
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Mimran, Masha
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Monroy, Liza
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Montas, Roosevelt
- Morris, Barbara
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Muller, Jill
- Munson, Adrianna
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Murray, Molly
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Negron-Muntaner, Frances
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Nersessian, Anahid
- Novey, Idra
- O'Brien, Cary
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O'Keeffe, Brian
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O'Meally, Robert
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Pagano, John
- Palanti, Alessia
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Paulson, Michael
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Pedatella, Stefan
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Perez-Firmat, Gustavo
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Peters, Julie
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Pfeiffer, Douglas
- Piore, Nancy
- Pishko, Jessica
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Platt, Peter
- Plotkin, Cary
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Posnock, Ross
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Prescott, Anne
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Prettyman, Quandra
- Puchner, Hans Martin
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Richard, Frances
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Robbins, Bruce
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Roberts, Zachary
- Robinson-Appels, Jonathan
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Rodney, Mariel
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Rosenberg, John
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Rosenthal, Jennifer
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Rosner, Victoria
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Runsdorf, James
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Sacks, Richard
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Saltzman, Shelley
- Sastry, Sailaja
- Schneider, Aaron
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Schor-Haim, Wendy
- Schrader, Eliza
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Schwartz, Selby
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Seidel, Michael
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Shahmirz, Atefeh
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Shapiro, James
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Sharpe, William
- Shirane, Haruo
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Slaughter, Joseph
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Smith, Kathleen
- Sobelle, Stefanie
- Solomon, Andrea
- Spiegel, Maura
- Spivak, Gayatri
- Springs, Amanda
- Springs, Amanda
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Stanton, Rebecca
- Stein, Howard
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Stein, Robert
- Steinkoler, Manya
- Stewart, Alan
- Strand, Mark
- Strohm, Paul
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Sun, Emily
- Swenson, Karen
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Szell, Timea
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Tawil, Ezra
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Tayler, Edward
- Taylor, Stuart
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Timberlake, Alan
- Traps, Yevgeniya
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Trodd, Zoe
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Ula, Duygu
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Usher, Phillip
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Vandenburg, Margaret
- Venuti, Lawrence
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Violi, Paul
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Viswanathan, Gauri
- Vrotsos, Karen
- Winslow, Aaron
- Womack, Autumn
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Worman, Nancy
- Yerkes, David
Browse by course
- [CPLS] Introduction to Narrative
- [ENGL-BC1210-03] : FY WRITING: WOMEN & CULTURE FALL 2016
- [F1102] College Composition II
- [BC 1475] Texts of Protest
- [ENGL F1101] College Composition I
- [ENGL Z1003] College Composition for International Students
- [ENGL W1017] Dramatic Writing I
- [ENGL 1212] FYW: The Americas
- [Engl-1211] First Year Writing: Legacy of the Mediterranean - Queer/Migrant
- [BC1201] First-Year English
- [ENGL BC1204] First-Year English (Workshop): Legacy of the Mediterranean I
- [1201] First-Year English: Women and Culture
- [FYW-BC1212] First-Year Writing: The Americas
- [ENGL BC1201] First-year English: Legacy of Mediterranean I
- [FYSB-BC1716] Freshman Seminar: Small Lives
- [ENGL C1010 ] University Writing
- [ENGL F1012] University Writing
- [ENGLF GS101] University Writing: Contemporary Essays
- [FYS BX1718] First Year Seminar: Woman in the Mirror
- [FYSB BC1202 ] Legacy of the Mediterranean (Intensive)
- [FYSB BC1333] Women and Culture II
- [F1010] university writing
- [CIS W3792 ] Comparative Internet Students
- [CLEN W3300] Black Paris
- [CLEN W3930] Caribbean Diaspora Literature
- [CLEN W3792] Comparative European Novel
- [CLEN W3414] History of Literary Criticism I
- [CLEN W3208] Modern Comparative Fiction
- [CLEN W3940] Modern Fiction
- [CLEN W3970] Modernism and the City
- [CLEN W3980] Narratives From Underground
- [CLEN W3851] Realism
- [CLEN W3851] Realism
- [CLEN W3220] Science Fiction
- [CLEN W3851] Sexual Personae/Sexual Performance
- [CLEN W3218] Short Fiction
- [CLEN W3390] Studies In Narrative
- [CLEN 3740 UN] The 30s: Metropole and Colony
- [CLEN W3750] Writing Across Media
- [CLME W3032] Colonialism: Film, Fiction, History, Theory.
- [CLME W3753] Iran: A Culture in History
- [CLME W3042] Palestinian and Israeli Politics and Societies
- [CPLS BC3121] A Kind of Wild Justice
- [CPLS BC3510y] Advanced Workshop in Translation
- [CPLS X3122] Big Brother: Poetics of Power
- [CPLS V3950] Colloquium in Literary Theory
- [CPLS W3333] East/West Frametale Narratives
- [CPLS V3235] Imagining the Self
- [CPLS V3900] Introduction to Comparative Literature and Society
- [CPLS BC3143] Literature & Violence
- [CPLS BC3125] Opera as Literature
- [CPLS 3162] The Novella from Cervantes to Kafka
- [CPLS BC3160] Tragic Bodies
- [CPLS BC3170] Translating Madness
- [CPLT BC3110] Intro to Translation Studies
- [ENCL 3208] New Literary Histories
- [ENGL W3960] 19th Century British Literature
- [ENGL W3990] 19th Century British Poetry
- [ENGL W3257] 19th Century English Fiction
- [ENGL S3239] 19th Century English Novel
- [ENGL W3962] 19th Century Novel Seminar: Austen, Bronte, Eliot
- [ENGL W3962] 19th Century Novel Seminar: The Novel of Manners
- [ENGL W3283] 20th Century American Literature: American Fiction post-1945
- [ENGL W3967] 20th Century Poetry
- [ENGL BC3194] A History of Criticism; Literary Theory
- [ENGL BC3118] Advanced Poetry Writing
- [ENGL W3400] African-American Literature
- [ENGL W3400] African-American Literature I
- [ENGL W3401] African-American Literature II
- [ENGL BC3180] American Literature 1800-1870
- [ENGL BC3181] American Literature 1871-1945
- [ENGL BC3183] American Literature Since 1945
- [ENGL W3734] American Literature and Corporate Culture
- [ENGL BC3179] American Literature to 1800
- [ENGL W3272] American Novel 1865-1914
- [ENGL 3709] American Transcendentalism
- [ENGL W3269] British Literature 1900-1950
- [ENGL W3270] British Literature 1950-Present
- [ENGL W3034] Chaucer
- [ENGL 3301] Clarissa
- [BC3159] Coll: Order and Disorder
- [BC3215 ] Colonial Encounters in the Hispanic New World
- [ENGL W3283] Contemporary American Literature
- [ENGL W3954] Contemporary Black British Writing
- [CPLTS3541] Contemporary Short Stories
- [ENGL-BC3134-01 ] Creative Non-Fiction
- [ENGL W3001] Critical Reading, Critical Writing
- [ENGL 3193] Critical Writing
- [ENGL W3690] Deep Sea Thought
- [CLENW3786] EUROPEAN DRAMA, SPECTACLE, AND VISUAL CULTURE
- [ BC3133] Early Modern Women Writers
- [ ENGLUN3744] Edgar Allan Poe
- [ENGL 3160] English Colloquium
- [ENGL BC3159] English Colloquium: Imitation and Creation
- [ENGL BC3159] English Colloquium: Skepticism and Affirmation
- [ENGL W3262] English Lit 1500-1600
- [ENGL W3263] English Literature 1600-1660
- [ENGL W3261] English Literature to 1500
- [ENGL BC3103/4] Essay Writing
- [ENGL W3965] Food Writing
- [ENGL W3409] Form in Poetry
- [ENGL W3267] Foundations of American Literature I
- [ENGL BC3190] Global Literature in English
- [BC3108] Introduction to Fiction Writing
- [ENGL X3147] Introduction to Narrative Medicine
- [ENGL BC3110] Introduction to Poetry Writing
- [ENGL W3001] Introduction to the English Major
- [ENGL W3230] Joyce
- [W3451] Lit of Empire
- [ENGL 3156] Literary Criticism and Colloquium
- [ENGL BC3193] Literary Criticism and Theory
- [ENGL W3001] Literary Texts, Critical Methods
- [ENGL W3011] Literary Texts, Critical Methods (Seminar)
- [ENGL W3011] Literary Texts, Critical Methods (Seminar)
- [ENGL W3966] Literature, Culture, and War in the 20th and 21st Centuries
- [ENGL W3714] Major American Authors
- [ENGL BC3141] Major English Texts I
- [ENGL BC3142] Major English Texts II
- [ENGL W3920] Medieval Stoic Autobiography
- [ENGL V3275] Modern American Fiction
- [ENGL W3219] Modern Poetry I
- [ENGL W3220] Modern Poetry II
- [ENGL W3829] Modernist British Fiction
- [W3243] Mysticism
- [ENGLW3981] Narrative and Argument in Freud
- [ENGL W3956] Ordinary Romanticism
- [W3750] Origns of the Modern Vortex
- [ENGL 3690] Poetics of the Warrior
- [ENGL W3822] Political Fictions of the Long 18th Century
- [BC3160] REASON & IMAGINATION
- [ENGL S3283] Reading David Foster Wallace
- [ENGL W3238] Religion, Literature, Modernity
- [ENGL UN3922] Renaissance Comedy
- [ENGL W3956] Romantic Texts I: Blake, Wordsworth, Coleridge
- [W3285] Ross Posnock
- [ENGL W3730] Seminar in Modern Texts: America in the World
- [ENGL BC3998] Senior Seminar
- [ENGL W3335] Shakespeare I
- [ENGL W3336] Shakespeare II
- [ENGL W3337] Shakespeare Seminar: Shakespeare's Poetry
- [ENGL W3995] Sonnets & Elegies
- [ENGL W3829] Studies in Narrative Fiction
- [ENGL W3995] Studies in Poetry: the Autobiographical Poem
- [ENGL 3989] The 19th Century Historical Novel
- [ENGL BC3174] The Age of Johnson
- [ENGL BC3165] The Elizabethan Renaissance: The Lyric
- [ENGL-BC3160] The English Colloquium: Enlightenment
- [ENGL W3711] The Gilded Age: Fictions of Property and Personhood
- [ENGLUN3203] The Sonnet in English
- [ENGL BC3101] The Writer's Process
- [ENGL W3925] Transnationalism, Cosmopolitanism, Diaspora
- [ENGL W3925] Transnationalism, Cosmopolitanism, Diaspora
- [ENGL W3925] Transnationalism, Cosmopolitanism, Diaspora
- [UN3791] True Crime: Fact and Feeling
- [ENGL W3280] Tudor Stuart Drama
- [ENGL W3253] Victorian Literature
- [ENGL W3253] Victorian Literature
- [ENGL V3260] Victorian Literature
- [ENGL W3225] Virginia Woolf
- [ENGL BC3197] Virginia Woolf and the Bloomsbury Group
- [ENGLX3146] Walk This Way
- [ENGL W3958] William Blake
- [ENTA W3702] Drama, Theatre and Theory
- [CLEA W4101] Literary and Cultural Theory: East and West
- [CLEN W4822] 19th-Century Novel In Europe
- [CLEN W4560] Backgrounds to Contemporary Theory
- [CLEN W4902] Intro to Literary Theory
- [CLEN S4521] Topics in Comparative Literature: The Female Adventure Story
- [CLLN W4202] Cognitive Linguistics
- [ENGL 4408 GU] 19th Century British Novel
- [ENGL W4502] 20th Century British Literature 1950-Present
- [ENGL W4501] 20th Century British Literature- Embattled Modernism: Sexuality and Violence
- [ENGL W4503] 20th Century Poetry: Race, Gender, and the Rhetoric of Poetic Form
- [ENGL 4401] 8TH CENTURY & ROMANTIC POETRY
- [ENGL W4621] African-American Texts: the Harlem Renaissance
- [ENGL W4604] American Literature 1880-1940: American Modernism
- [ENGL W4092] Beowulf
- [ENGL W4130] British Literature to 1500
- [ENGL S4011] Chaucer's Ventriloquism
- [ENGLS-4526] Comic Books and Graphic Novels as Literature
- [S4452] Comic Theater: From Shakespeare to New York
- [ENGL 4201] Early Caribbean Literature
- [ENGL W4302] English Literature II: Satire
- [ENGL W4670] Film Studies: American Film Genre
- [W4405] Fin De Siecle Literature
- [ENGL 4794] Heroes, Lovers, and Visionaries
- [ENGL W4802] History of English Novel II
- [ENGL W4600] History of the American Language
- [ENGL W4901] History of the English Language
- [W4091] Introduction to Old English
- [ENGL W4612] Jazz Studies
- [ENGL W4501] Joyce
- [ENGL W4405] Literature of the Fin de Siecle
- [ENGL S4930] Made in America: Mafia in Cinema
- [ENGL W4211] Milton
- [ENGL W4501] Modern British Literature I
- [ENGL W4611] Modernism and Media
- [ENGL 4603] Realism & Naturalism
- [ENGL 4603 GU] Realism/Naturalism
- [ENGL W4703] Restoration and 18th Century Drama
- [ENGL 4613 GU] The 1960s
- [ENGL W4791] Visionary Dramas and Dramatic Visions
- [ENGL W4917] Writing on Disability
- [ENTA 4731] 20th Century American Drama
- [ENTA W4723] Ibsen, Chekhov, Strindberg
- [ENTA W4724] Modern Drama II
- [GU 4201] Poetry of the African Diaspora
- [Jazz W4900] Jazz and the Literary Imagination
- [SLAL W4015] Dostoevsky & Nabokov
- [W4504] Yeats, Eliot, Auden
- [ENGL W5401] James Joyce
- [C6230] Ethics and Literature
- [ENG 9999] Multiple courses
- 16th Century Lyric Poetry
- 16th Century Poetry
- 17th Century Poetry and Prose
- 18th Century British Lit.
- 18th Century Literature
- 18th Century Survey
- 18th Century Transatlantic Culture
- 19th Century Autobiography
- 19th Century British Poetry
- 19th Century European Literature
- 19th c. European novel and 19th c. British novel
- 1st year english (Barnard)
- 20th Cent. Puerto Rican Literature
- 20th Century American and British Poetry
- 20th Century Literature
- AA Poetry
- AIDS and the Politics of Literary Form
- Aethestics of the imagination 18th century poetry
- African American Literature
- American Drama
- American Fiction
- American Lit
- American Literature 1870 - 1940
- American Literature I
- American Literature since 1945 & American Film Genres
- American Realism
- American Renaissance seminar
- American Studies: Theories, Methods and Approaches
- Americans in Paris
- Americas I
- Art of the Essay
- Asian American Literature and Culture
- Autobiography
- Avant Garde Film
- BC1201 First Year English
- BC1201 First-Year English; BC3260 The Victorian Age in Literature
- BC1201 STUDIES:LANGUAGE & LITERATURE
- Banned Books
- Beat Generation Seminar
- Black Autobiography
- Black Explorations in Literature
- Black Intellectuals
- Black Stereotypes -- Senior Seminar
- Brit Lit and American Literature since 1945
- British Literature 1660-1789
- British Literature of the 1890s
- British Literature/Romanticism
- British Survey 1660 - 1800
- Cannibalism, Images of Africa, Haitian Literature
- Chaucer Seminar
- Chaucer and His Contemporaries
- Chaucer, Chaucer and His Contemporaries
- Chaucer: Canterbury Tales
- College Composition
- Colloquium
- Colloquium: Enlightenment
- Colloquium: Reason and Imagination
- Colloquium: Renassaince
- Comp Multiculturalisms
- Comparative Modern Fiction
- Complete Works of Christopher Marlowe
- Concept of a National Literature
- Contemporary American Fiction Seminar
- Contemporary Media Theory
- Country and City
- Cryptology
- Culture and Politics of Globalization
- Culture of the Cold War
- Cultures of Colonialism - Palestine/Israel
- Dante and Medieval Culture
- De-Coding Culture
- Depression Culture in Black and White
- Derrida
- Dickens
- Dickens seminar
- Dostoevsky, Tolstoy, and the English Novel
- Drama, Film and the Law
- Early American Novel (Revolution to Civil War)
- Elementary Composition
- Emerson, Transcendentalism, Antebellum Politics
- English
- English 220
- English Conference
- English Lit: 1600-1640
- English Literature 1789-1832
- Epic Travel: From Text to Road Movie
- Ethnicity and Social Transformation
- European Literature in the Middle Ages
- Explorations of Black Literature 1740-1890
- FYW: The Americas II
- Fable and Fantasy
- Fiction Writing
- Fiction and Personal Narrative
- First Year
- First Year English (Barnard)
- First Year English- Americas
- First Year English: The Americas
- First Year Seminar:Sustainability
- First Year Writing: Legacy of the Mediteran
- First year english
- First-Year-English The Americas II
- Foundations of American Lit II
- Foundations of American Lit. I
- Freshman English - The Americas
- Freshman Seminar- Ethnicity and Social Transformation
- G4990 LSMA Research Thesis Seminar
- Henry Fielding Seminar
- Henry James
- Henry James's Peril
- History of Literary Criticism
- History of Literary Criticism I
- History of Literary Criticism II
- History of the English Novel
- History of the Novel
- History of the Novel II
- Holocaust Literature and Film
- House & Home in American Culture
- House and Home in American Culture
- How Imagination Grows
- How To Read Violence
- INTRO TO COMP LIT & SOCIETY Call Number 48458
- Imaginative Writing
- Imitiation and Creation; Renaissance Coloqium
- Imperialism and the Cryptographic Imagination
- Imperilialism and Cryptography
- Intro to African Cultural Studies
- Intro to African Culture
- Intro to American Studies AND American Lit since 1945
- Intro to Asian-American Literature and Culture
- Intro to Comp Lit & Society
- Intro to Comparative Literature
- Intro to Early Modern Drama (seminar)
- Intro to Fiction
- Intro to Linguistics
- Intro to Poetry and Poetics
- Intro to World Lit
- Intro to the Comp Lit Major
- Intro to the Major
- Intro. to Poetry Writing
- Introduction to British Literature
- Introduction to Comp Lit
- Introduction to Comparative Literature
- Introduction to Writing Poetry
- Irish Drama: Wilde, Shaw, Yeats, Synge
- James Joyce
- Jane Austen Seminar
- Jazz and American Culture
- John Donne (seminar)
- Jungle Books
- Junior Colloquium (Renaissance) and 17th-Century Poetry
- Junior Colloquium, The Novel and Psychoanalysis
- Junior Colloquium: The Enlightenment
- Latino Literature, Caribbean Diaspora Literature
- Lit Hum and British Lit. 1832-1900
- Lit Hum/General Studies
- Literary Approaches to the Bible
- Literary Crit
- Literature and Imperialism: The Cryptographic Mind
- Literature and Politics
- Literature and Society
- Literature and the Sublime
- Literature in the Age of the Revolution 1600-1640
- Literature of Lost Lands
- Literature of the Medieval Court
- Logic and Rhetoric (pilot)
- Logic and Rhetoric C1007
- MEDIEVAL HISTORIOGRAPHY
- Madness and the Literary Imagination
- Major American Authors: Faulkner/James
- Major British Texts II
- Major English Texts
- Major English Texts (Barnard)
- Medieval Lit.
- Medieval Literature
- Medieval Women's Texts
- Melville Seminar
- Melville's Novels
- Memory and Forgetting
- Middle Fictions
- Minority US Women Writers
- Minority Women Writers and Women's Experience of Slavery (Senior Seminar)
- Minority Women Writers in the United States
- Modern British & American Poetry
- Modern British and American Poetry
- Modern Comp Fiction - Spring 2004
- Modern Comparative Fiction, The Big Ambitious Novel in Contemporary America
- Modern Drama I
- Modern Novel (Barnard)
- Modern Tragedy (ENTA)
- Modern and Post-modern Cities
- Modernism
- Modernism and its Enemies
- Modernisn, The Modern Novel
- Myth & Literature
- Narrative & Human Rights
- Native American Literature
- North American Border Narratives
- Novel and Psychoanalysis
- Novels of Immigration, Relocation, Diaspora
- Origins of Literary Imagining
- Parody, Plagiarism, Postcolonialism
- Passion and Disillusionment
- Philanthropy and Social Difference
- Poetics
- Poetry Movements since 1950
- Poetry Movements since the 1950s
- Poetry and Poetics
- Poets and Correspondence
- Politics and American Film
- Post-1945 American Literature
- Postcolonial African Literature
- Principles of Literary Study
- Puerto Rican Literature of Migration
- Race Gender & Poetic Form
- Race and Racism
- Radical Poetries of the 20th Century
- Reading Freud
- Reading Lacan
- Reformation to Romanticism: The Violent Origins of Modern Thought
- Renaissance Colloquium
- Renaissance Drama
- Renaissance Literature in Europe: Humor and Wit Spring 2007
- Renaissance Women Writers
- Renaissance--Figuring the Erotic
- Restoration Literature from 1660-1740
- Rise of the Novel
- Romantic Era
- Romantic Literature
- Romantic Poetry
- Romantic Poetry: Byron, Shelley, Keats
- Romanticism
- Romanticism and Forms of Modernity
- Seminar in Am. Humor
- Seminar in American Comedy
- Seminar on Alternatives to Modernism
- Seminar on American Humor
- Seminar on Special Themes: The Enchanted Imagination
- Senior Seminar: Body and Language
- Senior Seminar: Man in the Crown, Woman in the Streets
- Senior Seminar: Modernism (1996)
- Senior Seminar: Shores of Refuge
- Senior Seminar: Slavery: Women's Experience
- Seventeenth Century Prose and Poetry
- Sexualities and Storytelling
- Shakespeare
- Shakespeare I & Critical Writing
- Shakespeare Seminar
- Shakespeare in Performance
- Shores of Refuge: Jewish American Literature (senior seminar)
- Skepticm and Affirmation
- Studies in the Novel: Dickens
- Survey of American Lit.
- TA for Foundations of American Lit
- The 18th-Century Comparative Novel
- The American Family Play
- The American Renaissance
- The Americas: Studies in Language and Lit.
- The Beat Generation
- The Book Review
- The Canterbury Tales
- The Classical Tradition
- The Enchanted Imagination
- The Enchanted Imagination, The Summons to Adventure
- The English Renaissance
- The Modern Novel
- The Novel and Global Capitalism
- The Novel, Dickens summer 2005
- The Road Movie
- The Summons to Adventure
- The Victorian Imagination
- The World and the American Writer
- The World of Banned Books
- Thesis
- Third World Bildungsroman
- Tragicomic Transformations
- Tudor-Stuart Drama
- US Latino Literature
- Utopias Seminar
- Victorian Literature 2003
- Victorian Novel
- Victorian Novel (6000)
- Victorian Poetry
- Victorian Poetry and Criticism
- Victorian and Modern Drama
- Virginia Woolf and Her Contemporaries
- Visual and Verbal Arts
- W3335-W3336 Shakespeare, Renaissance Playwrights
- W3935: The Novel: Texts and Theories
- Walt Whitman and New York
- War and Propaganda
- West African Novel, Comparative Postcolonialisms
- Whitman and The City
- Whitman, Neruda, Pessoa seminar
- Women and Modernism and the Modernist Woman
- Women and Theatre
- Women, Prophets, and Social Change in the Renaissance
- Work and English Culture
- World Lit
- World Literature
- Writing Center
- Writing Medieval History
- Writing of History in Medieval Lit
- bible and english literature
- culture of the novel
- first year english, last fall term
- first year writing
- introduction to the major
- renaissance lyric
- the African Novel
- victorian lit, american fiction since 1945